{"id":1492,"date":"2021-02-03T16:51:09","date_gmt":"2021-02-03T16:51:09","guid":{"rendered":"http:\/\/theinstituteforendoticresearch.org\/wp\/?page_id=1492"},"modified":"2021-10-02T15:13:49","modified_gmt":"2021-10-02T15:13:49","slug":"tier-cast","status":"publish","type":"page","link":"http:\/\/theinstituteforendoticresearch.org\/wp\/projects-current\/tier-cast\/","title":{"rendered":"TIER.cast"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2Ftiercast%2Ftiercast-episode3-maintenance-domestics-as-institutional-becomings%2F\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe><\/p>\n<p>Online from Saturday, October 1, 19:00 Berlin\/CET<br \/>\n<strong>TIER.cast Episode 3: Maintenance! Domestics as Institutional Becomings<\/strong><br \/>\nListen at <a href=\"http:\/\/theinstituteforendoticresearch.org\/wp\/projects-current\/tier-cast\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/theinstituteforendoticresearch.org\/wp\/projects-current\/tier-cast\/&amp;source=gmail&amp;ust=1633165566615000&amp;usg=AFQjCNHiJh4U3zj9vC161sln6TCbqPWwOQ\">http:\/\/<wbr \/>theinstituteforendoticresearch<wbr \/>.org\/wp\/projects-current\/tier-<wbr \/>cast\/<\/a><\/p>\n<p>This episode of TIER.cast was recorded at the physical launch event of our publication, The Endotic Reader N.2: Maintenance! Domestics as Institutional Becomings at Hopscotch Reading Room in Berlin. It features live readings by <strong>Elena Agudio<\/strong>, <strong>Ren\u00e9e Akitelek Mboya<\/strong> and <strong>Pol Merchan<\/strong> from their contributions to the publication. We hope you enjoy tuning into this special evening in celebration of the publication, and we invite you to download it for free on <a href=\"https:\/\/theinstituteforendoticresearch.us18.list-manage.com\/track\/click?u=b777dca17da2703751ea95d7b&amp;id=d8e8b6c3d5&amp;e=52282ecdbe\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theinstituteforendoticresearch.us18.list-manage.com\/track\/click?u%3Db777dca17da2703751ea95d7b%26id%3Dd8e8b6c3d5%26e%3D52282ecdbe&amp;source=gmail&amp;ust=1633165566615000&amp;usg=AFQjCNG8mFLJiEKlfcgRTel5db02H0h7gg\">our website<\/a> or pick up a physical copy at TIER.<\/p>\n<p><strong>TIER.cast <\/strong>is a long-term series of sonic encounters creating a platform for interdisciplinary intimate, process rather than goal-oriented conversations and listening sessions beginning in February 2021. In each session, the guests are invited to discuss and present with voices and sounds their past and current projects, intellectual and personal inspirations, works-in-progress, work\/production methodologies, and practices.<\/p>\n<p>The aim is also to address and challenge the capitalistically and individualistically driven practices of knowledge and art production, as well as the myth of the isolated genius. The interdisciplinary encounter itself is an exercise of collective knowledge-based and practical exchange, and becomes an act of collective production itself.<\/p>\n<p><strong>The sonic and non-visual format<\/strong> is envisioned as a soft intrusion that infiltrates into the domestic spheres, forces self-imagination for the lacking esthetics and focuses on audio imprint of the conversations\/speakers. It is a journey through voices, music, noise, sound and silence.<\/p>\n<p>Sound production &amp; mix by Sara Pereira<\/p>\n<p>****************************<\/p>\n<p><iframe loading=\"lazy\" title=\"Tier.Cast - Episode2 - \u00c1cido Base By Na Pa\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Ftiercast%2Ftiercast-episode1-%25C3%25A1cido-base-by-na-pa%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe><\/p>\n<p>Online from Friday, July 30, 19:00 Berlin\/CET<br \/>\n<strong>TIER.cast <em>\u00c1cido-base<\/em> hosted by Na Pa<\/strong><br \/>\nListen at <a href=\"http:\/\/theinstituteforendoticresearch.org\/wp\/projects-current\/tier-cast\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/theinstituteforendoticresearch.org\/wp\/projects-current\/tier-cast\/&amp;source=gmail&amp;ust=1627735583631000&amp;usg=AFQjCNF8HCmC4Fja6xOXwwLQDbuUdBqKvA\">http:\/\/<wbr \/>theinstituteforendoticresearch<wbr \/>.org\/wp\/projects-current\/tier-<wbr \/>cast\/<\/a><\/p>\n<p>Mash up in a line of continuity and abruption. This sound-collage transports the listener through tunnels of acid textures, alkaline minimalisms, noise, experimental sounds and words, between perceptive clearness and blurriness. A musical approach to inner-regulation, (ab)normativity, and absurdity. A collective collage, playlist and survey.<\/p>\n<p><strong><em>\u00c1cido-base<\/em><\/strong> is an experimental episode of TIER.cast hosted by <a href=\"https:\/\/theinstituteforendoticresearch.us18.list-manage.com\/track\/click?u=b777dca17da2703751ea95d7b&amp;id=f8b6ae9571&amp;e=90e443fe5a\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theinstituteforendoticresearch.us18.list-manage.com\/track\/click?u%3Db777dca17da2703751ea95d7b%26id%3Df8b6ae9571%26e%3D90e443fe5a&amp;source=gmail&amp;ust=1627735583631000&amp;usg=AFQjCNHq8jKgxn3H5xQMsor8DZefxV3Isg\"><strong>Na Pa<\/strong><\/a>.<\/p>\n<p><strong>TIER.cast <\/strong>is a long-term series of sonic encounters creating a platform for interdisciplinary intimate, process rather than goal-oriented conversations and listening sessions beginning in February 2021. In each session, the guests are invited to discuss and present with voices and sounds their past and current projects, intellectual and personal inspirations, works-in-progress, work\/production methodologies, and practices.<\/p>\n<p>The aim is also to address and challenge the capitalistically and individualistically driven practices of knowledge and art production, as well as the myth of the isolated genius. The interdisciplinary encounter itself is an exercise of collective knowledge-based and practical exchange, and becomes an act of collective production itself.<\/p>\n<p><strong>The sonic and non-visual format<\/strong> is envisioned as a soft intrusion that infiltrates into the domestic spheres, forces self-imagination for the lacking esthetics and focuses on audio imprint of the conversations\/speakers. It is a journey through voices, music, noise, sound and silence.<\/p>\n<p>&nbsp;<\/p>\n<p><b><i>\u00c1cido Base<\/i><\/b><\/p>\n<p><i>Mash up<\/i> in a line of continuity and abruption. This sound-collage transports the listener through tunnels of acid textures, alkaline minimalisms, noise, experimental sounds and words, between perceptive clearness and blurriness. A musical approach to inner-regulation, (ab)normativity, and absurdity. A collective collage, playlist and survey.<\/p>\n<p><b>Special thanks to everyone who contributed with words, voice and sounds:<\/b><\/p>\n<p>Readings by:<\/p>\n<p>Wolfgang Mayer, poem by Wolfgang Mayer over sound by Frieder&amp;Napa<\/p>\n<p>Manuela Lomba, popular proverbs &amp; sayings and a Poem by Wislawa Szymboeska<\/p>\n<p>Himari Consuelo, walk through the cemetery &amp; Prinzessin Garten<\/p>\n<p>Sylwia Szmajduch, poem by Alex de Soeiro https:\/\/morebookslesslooks.tumblr.com<\/p>\n<p>Lorenzo Sandoval, text by Marina Garc\u00e9s<\/p>\n<p>Benjamin Bush, text by Italo Calvino<\/p>\n<p>&nbsp;<\/p>\n<p>Songs, sounds, rehearsals and samples by:<\/p>\n<p>Discoteca Flaming Star, AVA, Pedro Andr\u00e9, Frieder&amp;Napa, Acid da Semana.<\/p>\n<p>Roger Seheult (Medical Acid Base Balance, Disorders &amp; ABGs Explained Clearly).<\/p>\n<p>&nbsp;<\/p>\n<p><b><i>\u00c1cido-base<\/i><\/b>\u00a0is an experimental episode of\u00a0TIER.cast hosted by\u00a0Napa.<\/p>\n<p>Sound production &amp; mix by Sara Pereira<\/p>\n<p>****************************<\/p>\n<p><iframe loading=\"lazy\" title=\"Tier.Cast - Episode1 - Castle Of Crossed Destinies - Part3 - Raw Cacao\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Ftiercast%2Ftiercast-episode3-castle-of-crossed-destinies-part3-raw-cacao%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe><\/p>\n<p>Tuesday, June 29, 19:00 Berlin\/CET<br \/>\n<strong>TIER.cast hosted by Aouefa Amoussouvi, Olivia Berkowicz and Sasha Engelmann. Sound design by Sara Pereira<\/strong><br \/>\n<strong><em>The Castle of Crossed Destinies \u2013 Part 3<\/em><\/strong><br \/>\nListen at<a href=\"http:\/\/theinstituteforendoticresearch.org\/wp\/projects-current\/tier-cast\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/theinstituteforendoticresearch.org\/wp\/projects-current\/tier-cast\/&amp;source=gmail&amp;ust=1625066683441000&amp;usg=AFQjCNHLG_O6ttdNVEfb4450uz5BhNwxhA\"> http:\/\/<wbr \/>theinstituteforendoticresearch<wbr \/>.org\/wp\/projects-current\/tier-<wbr \/>cast\/<\/a><\/p>\n<p>TIER.cast is a long-term series of sonic encounters creating a platform for interdisciplinary intimate, process rather than goal-oriented conversations and listening sessions beginning in February 2021. In each session, the guests are invited to discuss and present with voices and sounds their past and current projects, intellectual and personal inspirations, works-in-progress, work\/production methodologies, and practices.<\/p>\n<p>The aim is also to address and challenge the capitalistically and individualistically driven practices of knowledge and art production, as well as the myth of the isolated genius. The interdisciplinary encounter itself is an exercise of collective knowledge-based and practical exchange, and becomes an act of collective production itself.<\/p>\n<p>The sonic and non-visual format is envisioned as a soft intrusion that infiltrates into the domestic spheres, forces self-imagination for the lacking esthetics and focuses on audio imprint of the conversations\/speakers. It is a journey through voices, music, noise, sound and silence.<\/p>\n<p>The Castle of Crossed Destinies &#8211; is 3-part sonic project with geographer Sasha Engelmann, curator Olivia Berkowicz and artistic co-director of TIER, curator and biophysicist Aouefa Amoussouvi. <span id=\"m_2856313344670319949docs-internal-guid-7d409b35-7fff-4f7c-3a5c-15d2be2f7930\">They initiated <\/span>the project whilst being fellows at the residency at Akademie Schloss Solitude in 2020-2021. In a 3-part series they discuss tarot, radio, rituals, technologies, feminist narratives in science and art, as well as personal experiences and reflections on transgenerational memories &amp; migrations. Each encounter focuses on one practice, Part 3 focuses on Amoussouvi\u2019s practice with raw cacao and her research on the science, rituality and the entanglements with imperialism of this food commodity.<\/p>\n<p>This 3-part sonic project departs from the writer Italo Calvino\u2019s book The Castle of Crossed Destinies (1973). In the tale, a group of travellers meet each other in a tavern in the woods. Afflicted by a strange predicament that affects their capacity to speak, they turn to a stack of tarot cards to tell stories about one another. From a secluded room in Schloss Solitude, Amoussouvi, Berkowicz and Engelmann extend the invitation of Calvino\u2019s story to reflect upon the use of divinatory tools, creative props and experimental techniques for collective knowledge making. Situated in pandemic times, the conversation conjures vocabularies, glossaries and sounds. Moving in a circular motion, three fellow travellers explore stories within stories within stories.<\/p>\n<p>Sound production &amp; mix by Sara Pereira (and a thanks to Rosa &amp; Altes Finanzamt)<\/p>\n<p>Episode 3 is made with support from Akademie Schloss Solitude<\/p>\n<p><b>Aouefa Amoussouvi<\/b> is a French-Beninese research scientist based in Berlin, Germany and holds a PhD in Theoretical Molecular Biophysics from the Berlin Humboldt University, Germany. Outside the lab, she researches and develops curatorial projects on history and alternative narratives of science in the context of intersectional feminism and de-coloniality. She is also interested in the endotic exploration of the human psyche, body-mind relationship, group dynamics and transgenerational trauma and is training as a coach of process-oriented psychology. Between 2014 and 2019, she collaborated on several interdisciplinary projects at SAVVY Contemporary \u2013 Laboratory of Form-Ideas. She is a former fellow of the Akademie Schloss Solitude in Stuttgart, Germany.<\/p>\n<p><b>Olivia Berkowicz<\/b> is a curator, writer and editor. Her practice explores the intersection of critical visuality studies and contemporary art theory. She is interested in vocabularies and practices which challenge modernist-colonial principles of exhibition histories, art production, and collaborations. Together with Marianna Feher, she organises Tentative Transmits (2020-2022), a discursive radio project investigating the \u201dformer East\u201d, supported by the artistic research funding of the Royal Institute of Art in Stockholm. She is a current fellow at Akademie Schloss Solitude, Stuttgart.<\/p>\n<p><b>Sasha Engelmann<\/b> is a London-based geographer exploring interdisciplinary, feminist and creative approaches to environmental knowledge making. Her new book Sensing Art in the Atmosphere: Elemental Lures and Aerosolar Practices (Routledge, 2020) traces the potential of artistic, community-driven experiments to amplify our sensing of atmosphere, marrying attentions to atmospheric affect with visceral awareness of the materials, institutions and processes hovering in the air. Together with Sophie Dyer she leads the feminist radio project open-weather. She is Lecturer in GeoHumanities at Royal Holloway University of London and a former fellow of Akademie Schloss Solitude, Stuttgart.<\/p>\n<p><strong>Sara Pereira<\/strong> is a visual and sound artist, working primordially in collaborative intermedia forms. Regular enrolment with group Discoteca Flaming Star, with whom Sara is performing and collaborating since 2010, engaging currently in the research project Hospital(y)tis. Since 2016 playing with Sofia Lomba, as AVA. Previously developing sound work within duo Gentileza and solo as Napa. Co-founder and former member of Altes Finanzamt Project-space (Berlin), Marvellous Tone CD-r collective (Porto) and PISO collective (Porto-Berlin). Sara is dealing with questions of self-organisation, through drawing and in musical improvisation.<\/p>\n<p>****************************<\/p>\n<p><iframe loading=\"lazy\" title=\"Tier.Cast - Episode1 - Castle Of Crossed Destinies - Part2 - Open Weather\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Ftiercast%2Ftiercast-episode2-castle-of-crossed-destinies-part2%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe><\/p>\n<p>Friday, March 19, 17:00 Berlin\/CET<br \/>\n<strong>TIER.cast hosted by Aouefa Amoussouvi, Olivia Berkowicz and Sasha Engelmann with Sound Design by Sara Pereira<\/strong><br \/>\n<strong><em>The Castle of Crossed Destinies &#8211; Part 2<\/em><\/strong><br \/>\nStream live at <a href=\"https:\/\/vimeo.com\/517162634\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theinstituteforendoticresearch.us18.list-manage.com\/track\/click?u%3Db777dca17da2703751ea95d7b%26id%3D5773221007%26e%3D90e443fe5a&amp;source=gmail&amp;ust=1616331532033000&amp;usg=AFQjCNEvxqlgSFsIYwQorrc6xwfbobSA_w\">https:\/\/vimeo.com\/517162634<\/a><br \/>\nListen after at <a href=\"http:\/\/theinstituteforendoticresearch.org\/wp\/projects-current\/tier-cast\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theinstituteforendoticresearch.us18.list-manage.com\/track\/click?u%3Db777dca17da2703751ea95d7b%26id%3Dcd7c6bca11%26e%3D90e443fe5a&amp;source=gmail&amp;ust=1616331532033000&amp;usg=AFQjCNEq2ibEz3b-7OYlvuJ25jqkeEpo0Q\">http:\/\/<wbr \/>theinstituteforendoticresearch<wbr \/>.org\/wp\/projects-current\/tier-<wbr \/>cast\/<\/a><\/p>\n<p><strong>TIER.cast <\/strong>is a long-term series of sonic encounters creating a platform for interdisciplinary intimate, process rather than goal-oriented conversations and listening sessions beginning in February 2021. In each session, the guests are invited to discuss and present with voices and sounds their past and current projects, intellectual and personal inspirations, works-in-progress, work\/production methodologies, and practices.<\/p>\n<p>The aim is also to address and challenge the capitalistically and individualistically driven practices of knowledge and art production, as well as the myth of the isolated genius. The interdisciplinary encounter itself is an exercise of collective knowledge-based and practical exchange, and becomes an act of collective production itself.<\/p>\n<p><strong>The sonic and non-visual format<\/strong> is envisioned as a soft intrusion that infiltrates into the domestic spheres, forces self-imagination for the lacking esthetics and focuses on audio imprint of the conversations\/speakers. It is a journey through voices, music, noise, sound and silence.<\/p>\n<p><strong><em>The Castle of Crossed Destinies &#8211; <\/em><\/strong>is 3-part sonic project with geographer Sasha Engelmann, curator Olivia Berkowicz and new artistic co-director of TIER, curator and biophysicist Aouefa Amoussouvi. They are currently fellows in residency at Akademie Schloss Solitude, and will discuss tarot, radio, rituals, technologies, feminist narratives in science and art, as well as personal experiences and reflections on transgenerational memories &amp; migrations. Each encounter focuses on one practice, <strong>Part 2 focuses on Engelmann\u2019s project <em>Open Weather <\/em>and how it deals with earth sensing radio technologies and the histories of feminist divination practices.<\/strong><\/p>\n<p>This 3-part sonic project departs from the writer Italo Calvino\u2019s book T<em>he Castle of Crossed Destinies<\/em> (1973). In the tale, a group of travellers meet each other in a tavern in the woods. Afflicted by a strange predicament that affects their capacity to speak, they turn to a stack of tarot cards to tell stories about one another. From a secluded room in Schloss Solitude, Amoussouvi, Berkowicz and Engelmann extend the invitation of Calvino\u2019s story to reflect upon the use of divinatory tools, creative props and experimental techniques for collective knowledge making. Situated in pandemic times, the conversation conjures vocabularies, glossaries and sounds. Moving in a circular motion, three fellow travellers explore stories within stories within stories.<\/p>\n<p>This episode of TIER.cast is made in collaboration with the Akademie Schloss Solitude and will be launched within the \u201c<strong>Magical Cohabitations\u201d \u2013 Live Online Event: <\/strong><a href=\"https:\/\/www.akademie-solitude.de\/en\/event\/magical-cohabitations-live-online-event\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theinstituteforendoticresearch.us18.list-manage.com\/track\/click?u%3Db777dca17da2703751ea95d7b%26id%3D8b387e5111%26e%3D90e443fe5a&amp;source=gmail&amp;ust=1616331532033000&amp;usg=AFQjCNFxrCuCIVbfV72QSi26IS8wnv689Q\">https:\/\/www.akademie-solitude.<wbr \/>de\/en\/event\/magical-<wbr \/>cohabitations-live-online-<wbr \/>event\/<\/a><\/p>\n<p>Sound Design <strong>by Sara Pereira<\/strong><\/p>\n<p><strong>Olivia Berkowicz<\/strong> is a curator, writer and editor. Her practice explores the intersection of critical visuality studies and contemporary art theory. She is interested in vocabularies and practices which challenge modernist-colonial principles of exhibition histories, art production, and collaborations. Together with Marianna Feher, she organises Tentative Transmits (2020-2022), a discursive radio project investigating the \u201dformer East\u201d, supported by the artistic research funding of the Royal Institute of Art in Stockholm. She is a current fellow at Akademie Schloss Solitude, Stuttgart.<\/p>\n<p><strong>Sasha Engelmann<\/strong> explores interdisciplinary, feminist and creative approaches to environmental knowledge making. Her new book Sensing Art in the Atmosphere: Elemental Lures and Aerosolar Practices (Routledge, 2020) traces the potential of artistic, community-driven experiments to amplify our sensing of air and atmosphere. Together with Sophie Dyer she leads the feminist radio project open-weather. She is Lecturer in GeoHumanities at Royal Holloway University of London and a current fellow at Akademie Schloss Solitude, Stuttgart.<\/p>\n<p><strong>Sara Pereira<\/strong> is a visual and sound artist, working primordially in collaborative intermedia forms. Regular enrolment with group Discoteca Flaming Star, with whom Sara is performing and collaborating since 2010, engaging currently in the research project Hospital(y)tis. Since 2016 playing with Sofia Lomba, as AVA. Previously developing sound work within duo Gentileza and solo as Napa. Co-founder and former member of Altes Finanzamt Project-space (Berlin), Marvellous Tone CD-r collective (Porto) and PISO collective (Porto-Berlin). Sara is dealing with questions of self-organisation, through drawing and in musical improvisation.<\/p>\n<p>****************************<\/p>\n<p><iframe loading=\"lazy\" title=\"Tier.Cast - Episode1 - Castle Of Crossed Destinies - Part1 - Tarot\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Ftiercast%2Ftiercast-episode1-castle-of-crossed-destinies-part1%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe><\/p>\n<p>Wednesday, February 24, 19:00 Berlin\/CET<br \/>\n<strong>TIER.cast hosted by Aouefa Amoussouvi, Olivia Berkowicz and Sasha Engelmann. Sound design by Sara Pereira<br \/>\n<em>The Castle of Crossed Destinies &#8211; Part 1<\/em><\/strong><br \/>\nListen at <a href=\"http:\/\/theinstituteforendoticresearch.org\/wp\/projects-current\/tier-cast\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/theinstituteforendoticresearch.org\/wp\/projects-current\/tier-cast\/&amp;source=gmail&amp;ust=1616331535527000&amp;usg=AFQjCNGyvpcfd_CfT2IwjWFaomLyJadQUg\">http:\/\/<wbr \/>theinstituteforendoticresearch<wbr \/>.org\/wp\/projects-current\/tier-<wbr \/>cast\/<\/a><\/p>\n<p>TIER.cast is a series of sonic encounters creating a platform for interdisciplinary intimate, process rather than goal-oriented conversations and listening sessions beginning in February 2021. In each session, guests are invited to discuss and present with voices and sounds their past and current projects, intellectual and personal inspirations, methodologies and practices.<\/p>\n<p>The aim of this series is to address and challenge the capitalistic and individualistic practices of knowledge and art production, as well as the myth of the isolated genius.<\/p>\n<p>The interdisciplinary encounter itself is an exercise of collective knowledge-based and practical exchange, and becomes an act of collective production itself.<\/p>\n<p>The sonic and non-visual format is envisioned as a soft intrusion that infiltrates into domestic spheres, forces\u00a0self-imagination and focuses on audio imprints of the conversations\/speakers. It is a journey through voices, music, noise, sound and silence.<\/p>\n<p>The first edition will be a three-way conversation with curator Olivia Berkowicz, geographer Sasha Engelmann and new artistic co-director of TIER, curator and biophysicist Aouefa Amoussouvi. They are currently fellows in residency at Akademie Schloss Solitude, and in a 3-part series they will discuss tarot, radio, rituals, technologies, feminist narratives in science and art, as well as personal experiences and reflections on transgenerational memories &amp; migrations. Each encounter focuses on one practice, beginning with tarot.<\/p>\n<p>This sonic encounter departs from the writer Italo Calvino\u2019s book T<em>he Castle of Crossed Destinies<\/em> (1973). In the tale, a group of travellers meet each other in a tavern in the woods. Afflicted by a strange predicament that affects their capacity to speak, they turn to a stack of tarot cards to tell stories about one another. From a secluded room in Schloss Solitude, Amoussouvi, Berkowicz and Engelmann extend the invitation of Calvino\u2019s story to reflect upon the use of divinatory tools, creative props and experimental techniques for collective knowledge making. Situated in pandemic times, the conversation conjures vocabularies, glossaries and sounds. Moving in a circular motion, three fellow travellers explore stories within stories within stories.<\/p>\n<p>This first episode of TIER.cast is made in collaboration of the Akademie Schloss Solitude.<\/p>\n<p>Sound Design by Sara Pereira<\/p>\n<p><strong>Olivia Berkowicz<\/strong> is a curator, writer and editor. Her practice explores the intersection of critical visuality studies and contemporary art theory. She is interested in vocabularies and practices which challenge modernist-colonial principles of exhibition histories, art production, and collaborations. Together with Marianna Feher, she organises Tentative Transmits (2020-2022), a discursive radio project investigating the \u201dformer East\u201d, supported by the artistic research funding of the Royal Institute of Art in Stockholm. She is a current fellow at Akademie Schloss Solitude, Stuttgart.<\/p>\n<p><strong>Sasha Engelmann<\/strong> explores interdisciplinary, feminist and creative approaches to environmental knowledge making. Her new book Sensing Art in the Atmosphere: Elemental Lures and Aerosolar Practices (Routledge, 2020) traces the potential of artistic, community-driven experiments to amplify our sensing of air and atmosphere. Together with Sophie Dyer she leads the feminist radio project open-weather. She is Lecturer in GeoHumanities at Royal Holloway University of London and a current fellow at Akademie Schloss Solitude, Stuttgart.<\/p>\n<p><strong>Aouefa Amoussouvi<\/strong> is a French-Beninese research scientist based in Berlin, Germany and holds a PhD in Theoretical Molecular Biophysics from the Berlin Humboldt University, Germany. Outside the lab, she researches and develops curatorial projects on history and alternative narratives of science in context of intersectional feminism and de-coloniality. Especially, she explores how the development of digital technologies creates opportunities as well as ethical challenges within western and non-Western contexts. She is also interested in the endotic exploration of the human psyche, body-mind relationship, group dynamics and transgenerational trauma and is training as a coach of process-oriented psychology. Between 2014 and 2019, she collaborated on several interdisciplinary projects at SAVVY Contemporary \u2013 Laboratory of Form-Ideas. She is currently a fellow in residency at the Akademie Schloss Solitude in Stuttgart, Germany.<\/p>\n<p><strong>Sara Pereira<\/strong> is a visual and sound artist, working primordially in collaborative intermedia forms. Regular enrolment with group Discoteca Flaming Star, with whom Sara is performing and collaborating since 2010, engaging currently in the research project Hospital(y)tis. Since 2016 playing with Sofia Lomba, as AVA. Previously developing sound work within duo Gentileza and solo as Napa. Co-founder and former member of Altes Finanzamt Project-space (Berlin), Marvellous Tone CD-r collective (Porto) and PISO collective (Porto-Berlin). Sara is dealing with questions of self-organisation, through drawing and in musical improvisation.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Online from Saturday, October 1, 19:00 Berlin\/CET TIER.cast Episode 3: Maintenance! Domestics as Institutional Becomings Listen at http:\/\/theinstituteforendoticresearch.org\/wp\/projects-current\/tier-cast\/ This episode of TIER.cast was recorded at the physical launch event of our publication, The Endotic Reader N.2: Maintenance! Domestics as Institutional &hellip; <a href=\"http:\/\/theinstituteforendoticresearch.org\/wp\/projects-current\/tier-cast\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":736,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"page-projects.php","meta":[],"_links":{"self":[{"href":"http:\/\/theinstituteforendoticresearch.org\/wp\/wp-json\/wp\/v2\/pages\/1492"}],"collection":[{"href":"http:\/\/theinstituteforendoticresearch.org\/wp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/theinstituteforendoticresearch.org\/wp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/theinstituteforendoticresearch.org\/wp\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/theinstituteforendoticresearch.org\/wp\/wp-json\/wp\/v2\/comments?post=1492"}],"version-history":[{"count":17,"href":"http:\/\/theinstituteforendoticresearch.org\/wp\/wp-json\/wp\/v2\/pages\/1492\/revisions"}],"predecessor-version":[{"id":1756,"href":"http:\/\/theinstituteforendoticresearch.org\/wp\/wp-json\/wp\/v2\/pages\/1492\/revisions\/1756"}],"up":[{"embeddable":true,"href":"http:\/\/theinstituteforendoticresearch.org\/wp\/wp-json\/wp\/v2\/pages\/736"}],"wp:attachment":[{"href":"http:\/\/theinstituteforendoticresearch.org\/wp\/wp-json\/wp\/v2\/media?parent=1492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}