Publication

Online – Thursday, July 2, 19:00
Berlin Launch of the Agropoetics Reader
With Benjamin Busch, Binta Diaw, Alex Ungprateeb Flynn, Ayesha Hameed, Arlette-Louise Ndakoze, Lorenzo Sandoval, Cleo Wächter and the Agropoetics team Elena Agudio, Lynhan Balatbat-Helbock, Marleen Boschen, and Onur Çimen

Use this link to join: https://meet.jit.si/TheInstituteForEndoticResearch

The AGROPOETICS READER unfolds as a collection of texts that informed, grounded, and nourished SAVVY Contemporary’s Soil Is an Inscribed Body: On Sovereignty and Agropoetics (2019), a yearlong exhibition and research project curated by Elena Agudio and Marleen Boschen. The project was conceived in the framework of The Invention of Science, SAVVY Contemporary’s 2019–2020 programme, devoted to questioning the presumed universality and objectivity of the scientific canon. In this context of reflections and cogitations about the epistemic violence perpetrated by the West against other forms of knowledges, Soil Is an Inscribed Body examined anti-colonial struggles of past and current land conflicts across the world in order to address the invasiveness of neo-agro-colonialism and its extractivist logics.

Invited to contribute to the exhibition and to present an artistic position, The Institute of Endotic Research (TIER) proposed to co-edit a publication together with the curators. The path was longer than expected, the diverted tracks were not few (including a pandemic), but here – for the use of readers and many other agropoets – you can find a materialisation of this collaboration. You can linger on a selection of sources that inspired this research and exhibition, retrace the discussions that appeared along the way of its realisation, and engage with the ideas that grounded and sprouted from the project. At the same time, interwoven, you also encounter texts and materials suggested by TIER in dialogue with the curators.

ACROPOETICS READER
WITH CONTRIBUTIONS BY Bengi Akbulut, Yemisi Aribisala, Marwa Arsanios, Luis Berríos-Negrón, Filipa César, Marisol de la Cadena, Ayesha Hameed, INLAND, Mijo Miquel, Asuncíon Molinos Gordo, Huying Ng, Maria Ptqk, Maria Puig de la Bellacasa, Silvia Rivera Cusicanqui, Bouba Touré, Mirellle and Jennifer in conversation with Alex Ungprateeb Flynn, Hervé Yamguen, and the editors Elena Agudio, Marleen Boschen, and Lorenzo Sandoval.

IN COLLABORATION WITH   The Institute of Endotic Research (TIER)
EDITORS   Elena Agudio, Marleen Boschen, and Lorenzo Sandoval
CO-EDITORS   Onur Çimen and Cleo Wächter
DESIGN BY  Cleo Wächter

THE READER CAN BE DOWNLOADED FOR FREE HERE:
https://www.savvy-contemporary.com/en/pillars/publications/agropoetics-reader

http://theinstituteforendoticresearch.org/wp/publications/agropoetics-reader



Online – Wednesday, June 10, 19:00
Launch of Objects Before and After the Wall
With Tlaxcala3 (Ali Cotero and Clara Bolivar), Rodolfo Andaur, Eli Cortiñas, Manuela Koelke and Sung Tieu
Use this link to join: https://meet.jit.si/TheInstituteForEndoticResearch

Download the free PDF here

The publication Objects Before and After the Wall unfurls from our synonymous collaboration with Tlaxcala 3. Over the course of 2019, and culminating on November 9th at the 2nd International Encounter of Objects and Walls, TIER and Tlaxcala 3 hosted a trans-Atlantic exchange that was realized through a public program of screenings, workshops, readings and conversations. In Mexico City, special attention was paid to the development of border walls in Latin America and their ensuing conflicts and contradictions. In Berlin, certain attention was given to the role of the Berlin Wall as a historical site of ideological confrontation, as well as its continued presence as a contemporary media avatar. The publication Objects Before and After the Wall assembles contributions in a variety of formats—five selected by Tlaxcala 3 in Mexico City and five selected by The Institute for Endotic Research in Berlin—alongside responses by the organizers, Tlaxcala 3 (Ali Cotero and Clara Bolivar) and TIER (Benjamin Busch and Lorenzo Sandoval). The publication will be available as a free PDF download on the TIER website from June 10, and printed copies will be for sale at our space in Berlin.

Contributions by: Rodolfo Andaur, Clara Bolívar, Diana Buitrón, Benjamin Busch, Eli Cortiñas, Alí Cotero, Marisol García Walls, Francisco González Castro, Manuela Koelke, Daniela Medina Poch, Alberto Pacheco Benites, Lorenzo Sandoval, Hito Steyerl, Lorena Tabares, and Sung Tieu with text by Karen Fiss



Friday, February 28, 21:00–02:00, Madrid
Launch of the Agropoetics Reader + Independent Spaces United! Party
With Elena Agudio (SAVVY Contemporary) + Lorenzo Sandoval (TIER) + Fernando García Dory (INLAND) + Obrera Centro

The Agropoetics Reader unfolds as a collection of texts that informed, grounded, and nourished SAVVY Contemporary’s Soil Is an Inscribed Body: On Sovereignty and Agropoetics’ (August 30th–October 6th, 2019), an exhibition and research project curated by Elena Agudio and Marleen Boschen. The project was conceived in the framework of The Invention of Science, SAVVY Contemporary’s 2019–2020 programme, devoted to questioning the presumed universality and objectivity of the scientific canon. In this context of reflections and cogitations about the epistemic violence perpetrated by the West against other forms of knowledges, Soil Is an Inscribed Body examined anti-colonial struggles of past and current land conflicts across the world in order to address the invasiveness of neo-agro-colonialism and its extractivist logics.

Invited to contribute to the exhibition and to present an artistic position, The Institute of Endotic Research (TIER) proposed to edit a publication together with the curators. The path was longer than expected, the diverted tracks were not few, but here—for the use of readers and many other agropoets—you can find a materialisation of this collaboration. You can linger on a selection of sources that inspired this research and exhibition, retrace the discussions that appeared along the way of its realisation, and engage with the ideas that grounded and sprouted from the project. At the same time, interwoven, you also encounter texts and materials suggested by TIER in dialogue with the curators. The reader has contributions by: Elena Agudio & Marleen Boschen, Lorenzo Sandoval, Silvia Rivera Cusicanqui, Filipa César, Bouba Touré, Mirelle/Jennifer/Alex Ungprateeb Flynn, Marwa Arsanios, Benji Akbulut, Marisol de la Cadena, Mijo Miquel, Ayesha Hameed, Hervé Yamguen, Maria Ptqk, Maria Puig de la Bellacasa, Luis Berríos-Negrón, Huying Ng, INLAND, Asuncíon Molinos Gordo and Yemisi Aribisala; and it is designed by Cleo Wächter.

The reader will be introduced by Elena Agudio (SAVVY Contemporary) + Lorenzo Sandoval (TIER) + Fernando García Dory (INLAND), with a screening by Barbara Marcel.

There will be some prints at the launch, but the publication is freely distributed as a PDF. Please find it here: http://theinstituteforendoticresearch.org/wp/publications/agropoetics-reader/

The launch of the reader will be followed by a party co-organized with Obrera Centro and INLAND, where Changorama DJ will play some good electrocumbia.

Address in Madrid:
CAR – Centro de Acercamiento a lo Rural
Calle Buen Gobernador, 4, 28027 Madrid, Spain

The Berlin launch will take place at TIER on March 30th, together with the launch of the publication Objects Before and After the Wall.



Wednesday, February 12, 19:00
PLACES: Plano B
An encounter with Vijai Patchineelam

Plano B opened in 2003 in the neighbourhood of Lapa, Rio de Janeiro. A vinyl shop during the day and a cultural space of sorts over the weekend, Plano B housed concerts, performances, talks, screenings, etc. by numerous artists from Brazil and abroad. Over the course of ten years it fomented an alternative music scene in Rio. The space’s founder Fernando Torres was previously a ‘vinyl trafficker’, as he likes to call his earlier profession, scavenging rare and bizarre records in the city of Rio for collectors across Brazil during the 1980s and 90s. For Fernando, Plano B was not just a ‘concert venue’, but a lived installation where all corners of the shop and dynamics between the people who inhabited it were taken into consideration, a collective effort in a small space that developed irrespectively of its lack of institutional or governmental support.

For a couple of years now, Vijai Patchineelam has worked with Fernando Torres on his archive of over 300 live recorded shows that were held in the shop between 2004 and 2013, when the space closed. Their ongoing collaboration has so far resulted in a double album of these recordings as a way of communicating what Plano B was and to leave some trace of it for the current experimental music scene in Rio and beyond. At TIER, Vijai will introduce the record and his collaboration with Fernando Torres in the aural documentation of the space.

Vijai Patchineelam‘s artistic practice focuses on dialogue between the artist and the art institutions, as the locations of art production and distribution. Conventionally the artist comes to an art institution in a temporary role, for an exhibition, a residency, a commission. At times the artist is employed as a technician, monitor or less frequently as a curator or a board member. Placing the role of the artist as a worker in the foreground, Vijai’s research-driven artistic practice experiments with and argues for a more permanent role for artists—one in which artists become a constitutive part of the inner workings of art institutions. This displacement of roles is part of a larger trajectory that he follows in his PhD research in the Royal Academy of Fine Arts Antwerp, The Artist Job Description: A Practice Led Artistic Research for the Employment of the Artist, as an Artist, Inside the Art Institution.

PLACES is a nomadic series of one-off events including talks, readings and film screenings where speakers are invited to present a place, imagined or otherwise, through words, images and sounds. PLACES is organized by Shirin Sabahi.



Tuesday, February 11, 19:00
Insights
An encounter with Diana Troya, Ezekiel Morgan, Margot Potemans and Santiago 

On this evening, we will screen a selection of films by students and recent graduates of the Visual and Media Anthropology program at Freie Universität Berlin, which deals with the representation of culture in and through media. How do (new) technologies shape our world and the way we talk about it? Where can conversation take us? How are we connected to other humans and different species? What does it mean to be an activist in this day and age? And how can ethnography help us understand ourselves and the history we are rooted in? The program, as the field of Visual Anthropology, is constantly changing shape, and the selected films aim to give an insight in this process through diving into a wide range of subjects like multi-species entanglement, feminism, activism and posthumanism.

Please note that this event is a free private screening which requires a RSVP to mail at cleowaechter dot com



Friday, August 16, 19:00 – 21.00
Hands.on.matter: Publication launch
Bimonthly programme organized by Sandra Nicoline Nielsen and Tim van der Loo

You are invited to come and celebrate the first season of the hands.on.matter event series. We are on this special occasion launching a publication, which holds essays and project descriptions of the contributions, and notes from the workshops.

Expect food, drinks, a mix of materials and designs summing up themes from the past season and good chats with nice people. We want to say thank you to everyone who has supported us over the last year. Hope to see you there!

Everyone is welcome. Participation is for free.



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